譜記/構築 漢人大木篙尺技藝美學的現代轉譯

The modern translation of the aesthetics of the technique of Chinese big wooden pole and ruler

在東西方古老建築中,都存著某種比例關係。
希臘羅馬建築多以幾何以及數列關係構成,而漢人傳統建築則是存在於各流派司阜的算則尺寸與吉凶禁忌中。
其中,台灣大木匠司常見的「篙尺」更是具有代表性(如:許漢珍、廖枝德…)。
從中樑到補屐,各個部件環環相扣,僅需數把篙尺記譜便能完成整棟建築的施作,無須繪製設計圖面。
這也讓人禁不住想嘗試在現代構築中,能否也可以發展出具有篙尺技藝內涵的設計操作?

The modern translation of the aesthetics of the technique of Chinese big wooden pole and ruler

In the ancient buildings of east and west, there is a certain proportion of the relationship.
Greek-Roman architecture is mostly composed of geometry and series, while the traditional Han architecture is present in the calculation of the various genres and the taboo of ji-ji.
Among them, Taiwan's carpenter division common "ruler" is representative (e.g.: Xu Hanzhen, Liao Zhide... )。
From the beam to the complement, each part is ringed together, just a few ruler score can complete the entire building of the application, without drawing the design surface.
This also makes people can't help but try to try in modern construction, can also develop with the connotation of the design and operation of the ruler skills?

作品編號 #660 作品名稱 譜記/構築 漢人大木篙尺技藝美學的現代轉譯 作品分類 建築與空間設計類 學校科系 崑山科技大學 空間設計系 設計師 沈逸弘 指導老師 顏世樺