「三植山」以人文主義為主要視覺風格，巧妙地以中央山脈為載體，將其分為北、中、南區域，並採用三本式設計，展現了深厚的人文底蘊。這種結構既呼應了自然地理區域的分布，也在視覺上呈現出和諧的均衡感。
透過「感溫、感光、感濕」三種不同的印刷加工手法，巧妙的使植物主體體現在山脈間。以中央山脈為載體的三本書籍皆通過多層次的設計，讓此不僅僅是書籍，而是在自然與人文間穿越的視覺饗宴。並以互動式的方式讓使用者感受到與自然的連結，加深對於台灣原生植物生態圈的認識和關注的目標，親身體驗自然環境，通過探索、觀察和實地活動，深入了解生態系統的運作原理和生物多樣性。
以「宏觀、中觀、微觀」不同的三觀角度，在視角的轉換中使觀者全方位地感受自然植物的訊息傳遞，從而促使更深入的自然體驗，以書冊全冊做為宏觀、中觀、微觀三種不同角度的帶入。將「宏觀山脈的壯闊視角」運用畫面呈現於書冊封面，「中觀」則以書冊翻開後的「資訊內頁」為表現，「微觀」則與自然環境中需要尋找探索的方式相符，將微觀之畫面「隱藏在資訊內頁之下」，使觀者從遠到近，一步步從整體概覽到局部細節。
透過印刷加工，以「感溫、感光、感濕」感官元素，讓觀者在視覺、觸覺和感知上全面沉浸於自然世界。將植物的感知能力融入畫面變化中，使觀者能夠與作品互動，感受植物對光、溫度和濕度變化的回應，增強與自然的互動性，讓觀者感受到時間的流逝和植物的變化。
Taking humanism as its main visual style, "SAN.ZHI.SHAN" skillfully uses the central mountain range as a carrier, dividing it into north, central and south zones, and adopts a Sanben-type design, demonstrating a deep humanistic heritage. This structure not only echoes the distribution of natural geographic areas, but also presents a harmonious sense of balance visually.
Through three different printing techniques, namely "temperature-sensitive, light-sensitive and humidity-sensitive", the main body of plants is skillfully realized among the mountain ranges. The three books that use the central mountain range as a carrier are all designed in multiple layers, making them not only books, but also a visual feast that traverses between nature and humanity. The interactive approach allows users to feel connected to nature, to deepen their understanding of and concern for Taiwan's native plant ecosystem, to experience the natural environment, and to gain a deeper understanding of the operating principles of the ecosystem and biodiversity through exploration, observation, and on-site activities.
With the different perspectives of "macro, meso, and micro", the viewers can feel the message of natural plants in a comprehensive way in the change of perspectives, which will lead to a deeper experience of nature, and the whole book is brought in from three different perspectives: macro, meso, and micro. The "macro view of the mountains" is presented on the cover of the book, the "meso view" is represented by the "information page" after the book is opened, and the "micro view" is in line with the way of searching and exploring in the natural environment, with the micro view "hidden under the information page", so that the viewer can go from the distance to the nearness, and step by step, from the overall overview to the local details.
Through the printing process, the sensory elements of temperature, light, and humidity are used to fully immerse the viewer in the natural world in terms of sight, touch, and perception. Incorporating the plant's sensory ability into the changes of the picture, the viewer can interact with the work and feel the plant's response to the changes of light, temperature and humidity, enhancing the interaction with nature and allowing the viewer to feel the passage of time and the changes of the plant.
