以稻田肌理為空間井字佈局，配合水平向度舊牆與新設垂直動線成十字軸線，貫穿了「間」與「體」的序列，入口、廊道、端景呼應環境，伸向住民以〔留〕，伸向旅客以〔流〕藉以創造創客價值。
外觀量體的刻線脫開的面與體呼應著舊有牆面的排序，軸向廊道聚焦的端景，堆疊交錯的序列，如同歷史堆砌至今的過往，不浮誇的設計滲入了綠植緊扣著自然的介面，生活是務實，是「體」的展現並用脫開的方式處理量體所帶來的厚重感，長型扁平式的開口，解決了社會環境對於食物銀行等於救濟弱勢世俗標籤下所帶來的異樣眼光.在行為上我們也增設許多形式的休憩空間符合實踐了我們對於留的觀察，而留白的庭院當地化的建材，保留歷史面對生活和不過度的設計，是我們對住民及土地所釋出的善意。
The rice field texture is used as the spatial tic-tac-toe layout, and the horizontal old walls and the new vertical circulation lines form a cross axis, running through the sequence of "room" and "body". The entrance, corridor, and end view echo the environment and extend to the residents. To [stay], reach out to tourists and [flow] to create customer value. The detached lines of the exterior volume echo the order of the old walls, the focused end view of the axial corridor, and the stacked and staggered sequence are like the past piled up by history. The non-ostentatious design infiltrates green plants. Sticking closely to the natural interface, life is pragmatic and a display of "body" and uses a detached way to deal with the heavy feeling brought by the body. The long and flat opening solves the social environment where food banks are equal to relief for the vulnerable. The unique vision brought by the label. In terms of behavior, we have also added many forms of resting spaces in line with our observation of staying. The blank courtyard uses local building materials, retains history, faces life, and is not excessive in design. It is the kindness we show to the residents and the land.
