希望造景以結合周圍自然為主 並結合旁邊美術館的藝術氛圍和運用附近有的壽山、西子灣的特色來結合設計手法來達到可以有山有海，運用誇張手法設計建築，例如採用大面積的落地窗、外型則是採用錯開來表現量體的層次感等，強調都更的重要性。
並且發現周遭的旅宿都要較靠近高雄市區一帶 鼓山區這帶沒有其他旅店
面對鼓山區越來越發達的發展我們發現，西方的旅館、飯店和東方的旅館、飯店數量有個明顯對比。鼓山區的旅館、飯店都在東方，而西方卻是沒有。
建築內部使用一些視覺上是崁入式的家具做為擺設
使用玻璃做一些端景 使一些擺設看的到又摸不到
交疊的手法有用在建築物類似階梯步步高升也有用在相同大小重複疊加的空間感
使用大量玻璃使視線毫無遮蔽的從一端到另一端
It is hoped that the landscaping will be mainly combined with the surrounding nature, combined with the artistic atmosphere of the adjacent art museum, and the characteristics of Shoushan and Xiziwan nearby to combine design techniques to achieve mountains and seas. Use exaggerated techniques to design buildings, such as using large areas The floor-to-ceiling windows and exterior shapes are staggered to express the layering of the volume, emphasizing the importance of detail.
And I found that the surrounding hotels are closer to the urban area of Kaohsiung. There are no other hotels in Gushan District.
Facing the increasingly developed development of Gushan District, we found that there is a clear contrast between the number of hotels and restaurants in the West and those in the East. The hotels and restaurants in Gushan District are all in the east, but there are none in the west.
Some visually built-in furniture is used as decoration inside the building.
Use glass to create some end scenes so that some furnishings can be seen but not touched.
The overlapping technique is useful in buildings that resemble stairs rising step by step. It is also useful in creating a sense of space by repeatedly superimposing the same size.
Use lots of glass to allow unobstructed views from one end to the other
